Casting Screens

counting petals

Anna Regner 2019 V

you froze my laptop

Anna Regner 2018 V

The Return of the Dead Moving Image

Aude Launay 2019 T

The Return of the Dead Moving Image

Crystal_Display

Eglė Ruibytė 2019 V

Screen Recording 30

Evan Bech 2013 V

Migration & Aesthetics

Eve Wangui 2019 V

Screencasts

Francis Hunger 2019 T

Screencasts

Beatrice Alive?

Francis Kussatz 2019 V

Where is my Interface?

Francis Kussatz 2018 V

Nu Painting

Jaakko Pallasvuo 2013 V

Reverse Engineering

Jaakko Pallasvuo 2013 V

Filler

Jonathan Riese 2018 V

Roaming the Gaze

Jorge Day 2018 V

I wish I could've wept

Julian Asbäck 2019 V

Instagram Story of a Nurse

Katharina Merten 2017 V

(insert your nipple here)

Malin Kuht 2016 V

Motion of the Leviathan

Max Bodendorf 2018 V

Hosts

Megan Dieudonné 2019 V

Touch To Play

Molly Soda 2017 V

MY DESKTOP DECOR RELAXING

Molly Soda 2019 V

Cleaning My Desktop

Molly Soda 2018 V

Ruins Restored - SunsetStripPavilion4001

Monique Baier 2015 V

Ruins Restored - HeartlandPines8808

Monique Baier 2015 V

Ruins Restored - SiliconValleyWay3613

Monique Baier 2015 V

The Psychotherapist

Nasia Chan 2019 V

The Transmergence of Jacolby

Nicholas Evans 2018 V

Wrap Your Troubles In Dreams

Ran Altamirano 2019 V

Sleeping Beauty

Sacha Assi 2018 V

From the Moon Landing to E-Sport

Sebastian Möring 2019 T

From the Moon Landing to E-Sport

Search by Image (Recursively, Transparent PNG, #1)

Sebastian Schmieg 2011 V

Search by Image (Recursively, Me)

Sebastian Schmieg 2011 V

I stalk myself more than I should

Sofia Braga 2018 V

Attention Spam

TeYosh 2017 V

Interface Synergy

TeYosh 2016 V

Find My Phone

Thalia Kassem 2018 V

Turning The Desktop Into Art

Tina Sauerländer 2019 T

Turning The Desktop Into Art

About

The platform Casting Screens serves as a digital exhibition space of artistic screencasts – the form of video documentation for our digital lives. This platform investigates multiple questions:

How do artists process and explore digital culture through screen recordings? What is the role and relevance of screencasts as an artistic medium for the depiction of digital culture? In which ways is this relatively young medium being used artistically?

The platform merges the digital exhibition of artworks and theoretical reflections, which examine the topic of Screencasting from various points of view. In these, the different possibilities of interaction between man and machine, the obvious and the speculative in digital works shall become visible.

The platform is an initiative of Klasse Digitale Grafik of HFBK Hamburg led by Prof. Christoph Knoth and Prof. Konrad Renner within the framework of HOOU and was realized by Cora Kehren, Marco Wesche, Benedikt Rottstegge and Jens Schnitzler.

Imprint

Die Website ist ein Projekt der Klasse Digitale Grafik der Hochschule für bildende Künste Hamburg (HFBK) im Rahmen der Hamburg Open Online University (HOOU). Anbieter dieses Internet-Auftritts ist nach § 5 TMG der Klasse Grafik der Hochschule für bildende Künste Hamburg, gesetzlich vertreten durch den Präsidenten Martin Köttering.

Anschrift: Hochschule für bildende Künste (HFBK), Lerchenfeld 2, 22081 Hamburg · Tel.: +49 40 42 89 89-0 · E-Mail: webmaster@hfbk.hamburg.de · Web: www.hfbk-hamburg.de

Zuständige Aufsichtsbehörde: Behörde für Wissenschaft, Forschung und Gleichstellung, Hamburger Str. 37, 22083 Hamburg

Inhaltlich Verantwortlicher gemäß § 55 Abs. 2 RStV: Christoph Knoth (Anschrift wie oben)

Konzeption, Design, Umsetzung: Benedikt Rottstegge, Cora Kehren, Marco Wesche, Jens Schnitzler

CMS: Kirby

Schrift: Rena Grotesk Regular von Silva Baum, Merkur Headline Narrow von Jens Schnitzler.

Haftungshinweis: Trotz sorgfältiger inhaltlicher Kontrolle übernehmen wir keine Haftung für die Inhalte externer Links. Für den Inhalt der verlinkten Seiten sind ausschließlich deren Betreiber verantwortlich.

Informationen zum Copyright: Der Inhalt dieser Webseiten ist urheberrechtlich geschützt. Alle Abbildungen und fotografischen Bilder auf der Webseite dürfen nicht ohne Genehmigung übernommen, vervielfältigt und verbreitet werden.

Datenschutzerklärung

Es gilt die Datenschutzerklärung der Hochschule für bildende Künste Hamburg.

Attention Spam

2017 TeYosh 00:00

Attention Spam

Attention Spam explores chaos in digital time. The immediate availability of information exposed our lives to a constant distraction and never being fully present, or informed for that matter. The internet stopped being a possibility, it is ubiquitous.

Multiplied screens that we are surrounded by clutter our minds and interrupt our thoughts with another buzz and beep, leaving our ideas unfinished and lost somewhere along the endless scroll. They distract us from the satisfaction that a focused engagement brings and leave us feeling exhausted and scattered instead. Even when our devices are not buzzing, we have reflex to ask for a distraction - we are hooked up. Internet has fully captured society’s imagination, attention and productivity. Unplugging is an illusion. The internet persists offline as a mode of life.

Currently Attention Spam is in video format, attacking viewer’s sight and hearing. We will develop project further into an interactive installation that will scatter attention on multiple layers of engagement.

Hi, we are Sofija and Teodora!

Together we form TeYosh.

In short, we do animation, art direction and concepting. We work both for clients and on self-initiated projects.

In a few more words, we are design thinkers who offer an alternative point of view on modern society and define its unwritten rules. Our practice is devoted to exploring the relationship between humans and digital technology. We create cautionary tales that speculate on the emotional capacities of immersive technology. Our work is multidisciplinary, connecting design to social topics and ranging from VR to fashion. We are the creators of Dictionary of Online Behavior. Past clients include MTV, Nike, Cinekid festival, Playgrounds festival, MOTI museum, Barcelona Mobile Week etc.